The Jan Michalski Prize for Literature is awarded annually for an outstanding work of world literature.
The Jan Michalski Prize for Literature has been awarded annually since 2010 by the Foundation to crown a work of world literature. An original feature of the Prize is its multicultural nature: it rewards works of all literary genres, fiction or non-fiction, irrespective of the language in which it is written.
The rotating jury, which is renewed every three years, is made up of writers recognized for their linguistic skills and their openness to literary diversity. An artist with an interest in literature is also given a seat.
Only members of the jury are entitled to submit works for the Jan Michalski Prize, two per year, chosen from their recent international readings. Neither authors nor publishers may submit titles for selection.
The laureate is honored with a prize of CHF 50,000, which allows him/her to devote more time to his/her writing. He or she also receives a work of art specially chosen for him or her.
Edition 2025
The 2025 Jan Michalski Prize for Literature has been awarded to Guadalupe Nettel for her book La hija única (Anagrama, 2020), translated from the Spanish (Mexico) by Rosalind Harvey as Still Born (Fitzcarraldo, 2022).
Still Born
Fitzcarraldo Editions, 2022
Proposed by Andrea Marcolongo
© Germán Nájera
The jury praised the work as “a novel that explores motherhood with heartbreaking intelligence beyond the social constraints that are imposed on women’s bodies, going to the very limit and sketching out a multidimensional place that is both political and emotional. It is a delicate ode to the complexities of female identities, to their capacity to transform themselves, and beyond, to the power of sisterhood and solidarity among women, by a major voice of Latin American literature.”
Winner of the 2025 Jan Michalski Prize for Literature, the novel Still Born by the Mexican writer Guadalupe Nettel intertwines the difficult paths three women have taken, in order to reimagine motherhood far from the norms of the social contract and show the subtle ways a family can be formed.
Laura, the narrator, and her lifelong friend Alina have always shared a knowing aversion to both the pressures to have children and the subjugation of women’s bodies, that is until the day one of them decides to set off in a different direction, troubling their friendship. Whereas Laura states once and for all that she will never have children, Alina fights to fulfill her desire to be a mother. In the seventh month of her pregnancy, her doctors tell her that the baby she is carrying has a severe cerebral malformation and urge her to begin a cruel process of grieving her infant before birth even. Unexpectedly the baby girl she gives birth to defies what medical science predicted and proves determined to enjoy life despite her handicaps while upending the lives of her parents and those around them.
The journey through the tragedies and trying moments marking this chapter of Laura’s life alongside her friend also includes befriending her neighbors Doris and her eight-year-old son Nicolás. Scarred by the violence of a man whose grim memory continues to instill fear and pain in their daily lives, mother and son live together in an atmosphere of hostility. Doris is crushed by the weight of her helplessness and Laura is eventually pushed to take care of the young boy; meanwhile on her balcony, mirroring her own situation, a pair of pigeons brood an egg that is not theirs, then rear the chick of another species as if it were their offspring.
Under this unsettling image of what biology calls brood parasitism, Still Born celebrates unexpected children as well as their biological or alternative mothers, whether they are obvious or purely invented. The narrative threads, masterfully intertwined by Nettel, deftly create a space that is open to lives that are diverse, lives that defy fate and challenge the established medical and patriarchal order. In spare prose that is imbued with restrained emotions, Nettel gives voice to the strength of supportive communities in the face of loneliness. A keen observer who rejects moralizing and simplification, the novelist gives women the freedom to tell their stories, support one another, and above all make their own choices.
Biography
Born in Mexico in 1973, Guadalupe Nettel divides her life between her native country, Barcelona, and Paris, where she earned her doctorate in Language Sciences in 2008 at the École des hautes études en sciences sociales (the School for Advanced Studies in Social Sciences). In a growing body of work that has earned her a number of international awards, she explores through fiction human beings’ relationship to the uncanny, disease, and others who deviate from the norm. Her novels and short story collections, including Pétalos y otras historias incómodas (Bezoar and Other Unsettling Stories, trans. Suzanne Jill Levine, Seven Stories Press, 2020), El cuerpo en que nací (The Body Where I Was Born, trans. J.T. Lichtenstein, Seven Stories Press, 2015), El matrimonio de los peces rojos (Natural Histories, trans. J.T. Lichtenstein, Seven Stories Press, 2014), Después del invierno (After the Winter, trans. Rosalind Harvey, Coffee House Press, 2018), Los divagantes (The Accidentals, trans. Rosalind Harvey, Fitzcarraldo, 2022), and Still Born, which was shortlisted for the International Booker Prize in 2023, have been translated into over twenty languages. She is a regular contributor to numerous publications, including Granta, La Repubblica, The White Review, and The New York Times, and was the editor-in-chief of the cultural review La Revista de la Universidad de México from 2017 to 2024.
Et si les Beatles n’étaient pas nés ?
Proposed by Nicolas Grospierre
Our Strangers: Stories
Proposed by Gonçalo M. Tavares
Still Born
Fitzcarraldo Editions, 2022
Proposed by Andrea Marcolongo
Eve: How the Female Body Drove 200 Million of years of Human Evolution
Proposed by Sjón
Our Strangers: Stories
Proposed by Gonçalo M. Tavares
Still Born
Fitzcarraldo Editions, 2022
Proposed by Andrea Marcolongo
On the Calculation of Volume I
Faber & Faber, 2025
Proposed by Sjón
Et si les Beatles n’étaient pas nés ?
Proposed by Nicolas Grospierre
La grande ourse
Proposed by Jonathan Coe
On the Calculation of Volume I
Faber & Faber, 2025
Proposed by Sjón
Et si les Beatles n’étaient pas nés ?
Proposed by Nicolas Grospierre
Checkout 19
Proposed by Vera Michalski-Hoffmann
Eve: How the Female Body Drove 200 Million of years of Human Evolution
Proposed by Sjón
Our Strangers: Stories
Proposed by Gonçalo M. Tavares
James
Proposed by Nicolas Grospierre
Mes fragiles
Proposed by Scholastique Mukasonga
The Need to Know
Proposed by Vera Michalski-Hoffmann
Les envolés
Proposed by Scholastique Mukasonga
Still Born
Fitzcarraldo Editions, 2022
Proposed by Andrea Marcolongo
Le doute
Proposed by Andrea Marcolongo
J’emporterai le feu
Proposed by Gonçalo M. Tavares
Lichens: Toward a Minimal Resistance
Polity, 2023
Proposed by Jonathan Coe
Jury
Vera Michalski-Hoffmann, President of the jury
The publisher Vera Michalski-Hoffmann, born in 1954, who has always been committed to promoting literature and the written word, founded the publishing group Libella with Jan Michalski. Since 1987 numerous authors have been brought out in French, Polish and English at various publishing houses, including Noir sur Blanc, Buchet-Chastel, Phébus, and Wydawnictwo Literackie. In 2004 Vera Michalski created the Jan Michalski Foundation for Writing and Literature, whose mission is to foster literary creation and encourage the practice of reading through a range of initiatives and activities.
Jonathan Coe
The British novelist and biographer Jonathan Coe was born in 1961 in Birmingham (UK). He studied at the King Edward’s School and Trinity College, before going on to earn a PhD in English literature. He teaches at the University of Warwick. Coe made a name for himself internationally with his fourth novel, What a Carve Up! (Viking Press, 1994). His body of work has earned Coe a number of awards in his native Britain; published by Gallimard, his books have also garnered several prestigious prizes in France, including the 1998 Prix Médicis étranger for La maison du sommeil (The House of Sleep), and the 2019 European Book Prize for Le cœur de l’Angleterre (Middle England). In 2004 he became a Chevalier of the Ordre des Arts et des Lettres de France. His latest novel, The Proof of My Innocence, is published in 2024 by Viking.
Andrea Marcolongo
The Italian writer and journalist Andrea Marcolongo was born in 1987 in Crema, Italy. A scholar of ancient Greek with a degree in Classical Literature from the Università degli Studi in Milan, she has written several best-selling books, including La lingua geniale. 9 buone ragioni per amare il greco in 2016 (The Ingenious Language: Nine Epic Reasons to Love Greek, 2019); La misura eroica. Il mito degli argonauti e il coraggio che spinge gli uomini ad amare in 2018; Alla fonte delle parole. 99 etimologie che ci parlano di noi in 2019; and La lezione di Enea in 2020 (Starting from Scratch: The Life-Changing Lessons of Aeneas, 2022). Her books have been translated in nearly thirty countries. She is also a member of the jury for the Prix du Grand Continent and is a regular contributor to Italian and foreign newspapers, including La Stampa and Le Figaro. Published in 2024, her essay Courir (Gallimard) wins the Jules Rimet Prize the same year.
Gonçalo M. Tavares
A prize-winning Portuguese writer and professor of epistemology at the University of Lisbon, Gonçalo M. Tavares was born in Luanda, Angola, in 1970. He is seen today as one of the main literary voices in that language and has published in a variety of genres, from novels and poetry, to plays and essays. His works have been translated into over fifty languages and have won a number of national and international awards, including the José Saramago Prize for Jerusalem in 2005, and France’s prestigious Prix du Meilleur Livre Étranger for Learning to Pray in the Age of Technologyin 2010. In 2019 was published in English Reading Is Walking (Quantum Prose), and in 2025 A Girl is Lost in Her Century, Looking for Her Father (Ingram).
Sjón
A celebrated Icelandic novelist, poet, lyricist and screenwriter, Sjón (Sigurjón Birgir Sigurðsson) was born in Reykjavik, Iceland, in 1962. His novels include in English The Blue Fox (2005 Nordic Council’s Literature Prize), From the Mouth of the Whale, The Whispering Muse, the trilogy CoDex 1962 and Red Milk (2019), published by Farrar, Straus & Giroux and translated into thirty-five languages. His long-time collaboration with the singer Björk led to an Oscar nomination for Best Original Song, “I’ve Seen It All” from Lars von Trier’s Dancer in the Dark. The most recent film he co-wrote is Robert Eggers’ feature The Northman (2022), inspired by the Icelandic sagas. He is the president of the Icelandic PEN Center.
Scholastique Mukasonga
An author, novelist and short-story writer, Scholastique Mukasonga was born in 1956 in Rwanda. Faced with the persecution of the Tutsi people, she was forced into exile in Burundi before settling in France in 1993. She wrote her first novel, Inyenzi ou les cafards (Gallimard, 2004), in English titled simply Cockroaches (Archipelago, 2016), in the aftermath of the tragedy of the 1994 Tutsi genocide during which thirty-seven members of her family were killed. Today her work boasts eleven novels and short-story collections translated in over twenty languages. She has been awarded numerous prizes in France and internationally, including the 2012 Prix Renaudot for Notre-Dame du Nil (Gallimard, 2012), translated as Our Lady of the Nile (Archipelago, 2014), and the Prix Simone de Beauvoir. Two of her books, The Barefoot Woman (Archipelago, 2008) and Kibogo (Blackstone Publishing, 2020) were shortlisted for the National Book Award. In 2013, she was named Chevalier des Arts et des Lettres. Her latest novel, Julienne, was published by Gallimard in 2024 and won the Prix de l’Académie des Sciences d’Outre-Mer.
Nicolas Grospierre
Born in 1975 in Geneva, Nicolas Grospierre is a Franco-Polish visual artist and photographer. He wholly embraced his artistic calling following studies at Paris’s Institut d’études politiques and the London School of Economics. Now based in Poland, he sees modern architecture as central to his practice, putting it in dialogue with the themes of collective memory and the Anthropocene. In fusing different mediums he creates photo installations that offer viewers halls of mirrors and plays of light. He was awarded a Golden Lion at the 2008 Venice Biennale of Architecture. His work has been exhibited in museums throughout Europe and the Americas.
Related
Previous editions
2024
Ducks: Two Years in the Oil Sands
2023
El Tercer País
2022
Les fossoyeuses
2021
Знак не сотрется. Судьбы остарбайтеров в письмах, воспоминаниях и устных рассказах
2020
Sands of the Emperor
2019
Pain
2018
Ksiegi Jakubowe
2017
Une histoire mondiale du communisme
2016
The Physics of Sorrow
2015
Birth Certificate: The Story of Danilo Kiš
2014
Vorochylovhrad
2013
The Colonel
2012
The Opium War: Drugs, Dreams and the Making of China
2011
The White King
2010
The Lazarus Project
Rules
In accordance with article two of the statutes of the Jan Michalski Foundation for Literature and the Written Word (hereafter the Jan Michalski Foundation), the Foundation Board decided to create a literary prize called the Jan Michalski Prize for Literature (hereafter the Jan Michalski Prize).
The Jan Michalski Prize was officially established on 27 October 2009.
Article 1 — The Jan Michalski Prize
The Jan Michalski Prize will be awarded to a work of world literature in the categories of fiction, nonfiction, or illustrated books.
Article 1.1 — Criteria for awarding the Jan Michalski Prize
The Jan Michalski Prize is awarded to one book annually. The prize is not limited to any one language in particular.
Article 1.2 — Frequency of the prize
The Jan Michalski Prize is awarded once a year.
Article 1.3 — What winners of the Jan Michalski Prize receive
The winner of the prize receives CHF 50,000 (fifty thousand Swiss francs), a diploma, and a work of art especially selected for the Jan Michalski Prize.
Collective works are also eligible for consideration by the Prize Committee; if a book by several authors wins, the Jan Michalski Prize is awarded to all of them and the sum of CHF 50,000 is divided among the various winners.
Article 1.4 — When the prize is awarded
The Jan Michalski Prize is normally awarded each year in November during a ceremony in Montricher.
Article 2 — The Prize Committee
Article 2.1 — Committee members
The Jan Michalski Prize is awarded by the Jan Michalski Foundation for Literature and the Written Word. The prize winner is selected by an international committee of writers. One seat on the committee is reserved for an artist who has also shown a sincere interest in literature. Vera Michalski, who chairs the Foundation Board, is the lifetime Chairwoman of the Prize Committee.
Article 2.2 — Selection of the committee members
The Chairwoman of the Prize Committee appoints the other members of the committee. Membership on the committee is strictly honorary, that is, no payment attaches to the post. Members serve for three years. The Foundation Board, however, does reserve the right to reduce the term of individual committee members. At the end of the members’ term, the Foundation Board is free to either reappoint the same members or appoint new ones.
The Prize Committee is made up of well-known figures from a range of nationalities and cultural backgrounds who are at ease in two or more languages and widely recognized in any of the forms of literary and artistic expression.
Members sit on the Prize Committee in their own name and represent no interest group or commercial entity.
The Chairwoman of the Jan Michalski Foundation Board will write to each person appointed to the Prize Committee to confirm their appointment. Before serving, committee members will of course acquaint themselves with the present Rules.
Article 3 — Proposing candidates
Article 3.1 — Terms and conditions for participation
Members of the Prize Committee alone are authorized to propose books for consideration, with a maximum of two proposals per member. The members may only submit books published and printed by publishing houses are admissible. Manuscripts and self-published works are not accepted. The submitted books must have been published within five years prior to attribution of the Jan Michalski Prize. Reeditions are not accepted unless the book in question has been significantly revised by the original author.
Article 3.2 — Closing date
The members of the Prize Committee must submit their choice of two books for the Prize by mid-March each year. The shortlist of books competing for the Jan Michalski Prize is published on the foundation’s website.
Article 4 — Prize committee delibérations
The Members of the Prize Committee deliberate in complete freedom and independence, and, apart from the present rules, receive instructions from no one. Their deliberations are secret and the minutes of their meetings are not published.
Decisions are taken by simple majority but at least three-quarters of the committee members must participate in the vote for the deliberations to be valid.
The Prize Committee meets once initially to draw up a shortlist. At the end of that meeting, the committee decides on a limited number of books for final consideration. If need be, excerpts from proposed books are translated into a language that is accessible to all of the committee’s members.
The winner of the prize is announced during the committee’s concluding session. The committee’s decision is final and not subject to appeal.
Article 5 — Final provisions
Article 5.1 — Amendments to the rules
The rules can be revised at any time by the Foundation Board, except for the provision concerning the lifetime membership of the Chairwoman of the Prize Committee.
Article 5.2 — Announcing the prize winner
The results of the committee’s deliberations will be made public through the usual media. Only authors whose works have been shortlisted will be notified.