Edition 2024 Laureate Biography Selections Jury Related

The 2024 Jan Michalski Prize for Literature has been awarded to the Canadian comics artist and author Kate Beaton for her graphic memoir Ducks: Two Years in the Oil Sands (Drawn & Quarterly, 2022).

Portrait Ducks: Two Years in the Oil Sands
Portrait

The jury hails Ducks as “a piercing and daring graphic memoir that sheds light on the hidden side of working conditions in the oil industry through the eyes of a young woman and recent graduate who is thrown into a toxic world because of economic hardship. Featuring clean lines and dialogue imbued with great narrative force, this visual autobiography is able to embrace the most sensitive and painful questions of our time – hypercapitalism, the environment, impoverishment, sexism and sexual harassment – without such a traumatic experience stifling her deep empathy for others in similar circumstances. A profoundly moving masterpiece thanks to the courage it embodies.”

The winner of the 2024 Jan Michalski Prize for Literature, the autobiographical graphic work Ducks: Two Years in the Oil Sands exists at the point where memoir meets reportage. The book chronicles the two years the author spent in the oil sands work camps among petroleum industry laborers in Western Canada. Unable to find employment in her field that offers a decent wage, heavily in debt and facing the need to pay back her student loans, the twenty-one-year-old Kate Beaton leaves her native Nova Scotia to work in the Alberta oil sands, thousands of miles from her home.

In an industrial world that employs fifty times more men than women, living and working conditions are as toxic as the environment. Spartan camp quarters, social isolation, exhausting schedules, problems with mental health and drug addiction, a hostile work environment, pollution, and the pervasive cynicism that seems built into the system place a terrible strain on human, class and gender relations. Sexism is especially rife in the daily lives of the few minority women workers, who face harassment everywhere, which can tragically lead to sexual violence.

Mining her memories some fifteen years later in a spare line that conjures up a black-and-white atmosphere, Beaton confronts the traumas experienced and seen firsthand over the course of those eight seasons in the soul-testing world of oil sands, yet never does she stray from her deep compassion for the men and women workers who inhabit it. From intimate panels featuring dialogue to large landscape compositions, she brings to visual life this closed world that is out of sight, out of mind, and out of the collective conscience, one that reveals multiple wounds, both personal and of entire groups, inflicted not only on the employees but on the earth itself and nearby indigenous communities. Beaton’s singular view never judges or condemns. She attests to the material realities of an unbridled capitalism that exploits, alienates, commodifies, and dehumanizes. The author doesn’t look to stir up or brow beat; it is her power as simply a witness, playing out between the lines of the story she has to tell, that gradually opens readers’ eyes.

Beaton overwhelms us through her clarity and her ability to see the dysfunctional social dynamics mobilizing fear and poverty as engines of an exploitation that is embraced by the exploited, an illusion at the heart of this world. At the same time, she makes the ongoing ecological disaster the background of her graphic memoir. Through its rejection of both the culture of silence and a Manichean outlook, Ducks: Two Years in the Oil Sands deals a major blow to the suffocating omertà of the oil industry, echoing the most acute contradictions and crises of our time.

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As the winner of the 2024 Jan Michalski Prize for Literature, Kate Beaton will receive CHF 50,000 as well as a work of art by the draftsman Micaël.

Laureate

Kate Beaton

Biography

Kate Beaton was born in 1983 in Mabou, a village on Cape Breton Island, Canada. She is a graduate of Mount Allison University with a BA in history and anthropology. While employed in the oil sands of Western Canada following her studies, she worked on her drawing and began posting her material online in 2007. Her short black-and-white strips, treating historical subjects and well-known figures with biting humor, enjoyed growing success and now appear regularly in The New Yorker, Harper, and National Post. In 2011, Drawn & Quarterly published a collection of comics from her Hark! A Vagrant blog, followed by a second in 2015 titled Step Aside, Pops. These series alone earned her a number of prizes, including several Harvey Awards, an Eisner Award, and four Doug Wright. In 2022 she brought out her first book-length work, a graphic memoir titled Ducks: Two Years in the Oil Sands (Drawn & Quarterly), which has won the 2024 Jan Michalski Prize for Literature.

Selections

Finalists, Second selection, First selection.
Attaquer la terre et le soleil
Mathieu Belezi
Attaquer la terre et le soleil
Le Tripode, Paris, 2022

Proposed by Vera Michalski-Hoffmann


Ducks: Two Years in the Oil Sands
Kate Beaton
Ducks: Two Years in the Oil Sands
Drawn & Quarterly, Montreal, 2022

Proposed by Jonathan Coe


When I Sing, Mountains Dance
Irene Solà
When I Sing, Mountains Dance
Translated from the Catalan by Mara Faye Lethem
Graywolf Press, Minneapolis, 2022

Proposed by Kapka Kassabova


Attaquer la terre et le soleil
Mathieu Belezi
Attaquer la terre et le soleil
Le Tripode, Paris, 2022

Proposed by Vera Michalski-Hoffmann


Ducks: Two Years in the Oil Sands
Kate Beaton
Ducks: Two Years in the Oil Sands
Drawn & Quarterly, Montreal, 2022

Proposed by Jonathan Coe


When I Sing, Mountains Dance
Irene Solà
When I Sing, Mountains Dance
Translated from the Catalan by Mara Faye Lethem
Graywolf Press, Minneapolis, 2022

Proposed by Kapka Kassabova


Traces of Enayat
Iman Mersal
Traces of Enayat
Translated from the Arabic (Egypt) by Robin Moger
And Other Stories, Sheffield, 2023

Proposed by Kapka Kassabova


Une autobiographie de Nina Childress
Fabienne Radi
Une autobiographie de Nina Childress
Beaux-Arts de Paris, Paris, 2021

Proposed by Valérie Mréjen


Attaquer la terre et le soleil
Mathieu Belezi
Attaquer la terre et le soleil
Le Tripode, Paris, 2022

Proposed by Vera Michalski-Hoffmann


Austral
Carlos Fonseca
Austral
Translated from the Spanish by Megan McDowell
Farrar, Straus and Giroux, New York, 2023

Proposed by Sjón


Avec les fées
Sylvain Tesson
Avec les fées
Éditions des Équateurs, Paris, 2024

Proposed by Andrea Marcolongo


Ducks: Two Years in the Oil Sands
Kate Beaton
Ducks: Two Years in the Oil Sands
Drawn & Quarterly, Montreal, 2022

Proposed by Jonathan Coe


Infocracy: Digitization and the Crisis of Democracy
Byung-Chul Han
Infocracy: Digitization and the Crisis of Democracy
Translated from German by Daniel Steuer
Polity, Cambridge, 2022

Proposed by Gonçalo M. Tavares


James Brown mettait des bigoudis
Yasmina Reza
James Brown mettait des bigoudis
Flammarion, Paris, 2023

Proposed by Andrea Marcolongo


When I Sing, Mountains Dance
Irene Solà
When I Sing, Mountains Dance
Translated from the Catalan by Mara Faye Lethem
Graywolf Press, Minneapolis, 2022

Proposed by Kapka Kassabova


Wandering Souls
Cecile Pin
Wandering Souls
Henry Holt and Co., New York, 2023

Proposed by Jonathan Coe


My Friends
Hisham Matar
My Friends
Random House, New York, 2024

Proposed by Vera Michalski-Hoffmann


Paradais
Fernanda Melchor
Paradais
Translated from the Spanish (Mexico) by Sophie Hughes
New Directions, New York, 2022

Proposed by Gonçalo M. Tavares


Sans valeur
Gaëlle Obiégly
Sans valeur
Bayard, Montrouge, 2024

Proposed by Valérie Mréjen


Traces of Enayat
Iman Mersal
Traces of Enayat
Translated from the Arabic (Egypt) by Robin Moger
And Other Stories, Sheffield, 2023

Proposed by Kapka Kassabova


The Future Future
Adam Thirlwell
The Future Future
Jonathan Cape, London, 2023

Proposed by Sjón


Une autobiographie de Nina Childress
Fabienne Radi
Une autobiographie de Nina Childress
Beaux-Arts de Paris, Paris, 2021

Proposed by Valérie Mréjen


Jury

Vera Michalski-Hoffmann, President of the jury

The publisher Vera Michalski-Hoffmann, born in 1954, who has always been committed to promoting literature and the written word, founded the publishing group Libella with Jan Michalski. Since 1987 numerous authors have been brought out in French, Polish and  English at various publishing houses, including Noir sur Blanc, Buchet-Chastel, Phébus, Wydawnictwo Literackie, and World Editions. In 2004 Vera Michalski created the Jan Michalski Foundation for Writing and Literature, whose mission is to foster literary creation and encourage the practice of reading through a range of initiatives and activities.

Jonathan Coe

The British novelist and biographer Jonathan Coe was born in 1961 in Birmingham (UK). He studied at the King Edward’s School and Trinity College, before going on to earn a PhD in English literature. He teaches at the University of Warwick. Coe made a name for himself internationally with his fourth novel, What a Carve Up! (Viking Press, 1994). The French translation, published the following year (Testament à l’anglaise, Gallimard, 1995), was awarded the Prix du Meilleur Livre étranger in 1996. His body of work has earned Coe a number of awards in his native Britain; published by Gallimard, his books have also garnered several prestigious prizes in France, including the 1998 Prix Médicis étranger for La maison du sommeil (The House of Sleep), and the 2019 European Book Prize for Le cœur de l’Angleterre (Middle England). In 2004 he became a Chevalier of the Ordre des Arts et des Lettres de France.

Kapka Kassabova

Born in 1973 in Sofia, Bulgaria, Kapka Kassabova is the author of several collections of poetry, novels, and narrative nonfiction books in both Bulgarian and English. In 1992 her family emigrated to New Zealand, where she studied French, Russian and English literature and published her first texts. In 2005 she settled in Scotland. Her first two books to be brought out in French by Marchialy, Lisière (2020; originally published as Border in 2017) and L’écho du lac (2021; originally published as To the Lake in 2020), have won several awards, including Prix Nicolas Bouvier, special mention for the Prix du livre européen, and the Prix du Meilleur Livre étranger for nonfiction. Her work has been translated into some twenty languages. Her last book in English, Elixir: In the Valley at the End of Time has been brought out by Jonathan Cape/Graywolf in 2023.

Andrea Marcolongo

The Italian writer and journalist Andrea Marcolongo was born in 1987 in Crema, Italy. A scholar of ancient Greek with a degree in Classical Literature from the Università degli Studi in Milan, she has written several best-selling books, including La lingua geniale. 9 buone ragioni per amare il greco in 2016 (The Ingenious Language: Nine Epic Reasons to Love Greek, 2019); La misura eroica. Il mito degli argonauti e il coraggio che spinge gli uomini ad amare in 2018; Alla fonte delle parole. 99 etimologie che ci parlano di noi in 2019; and La Lezione di Enea in 2020 (Starting from Scratch: The Life-Changing Lessons of Aeneas, 2022). Her books have been translated in nearly thirty countries. She is also a member of the jury for the Prix du Grand Continent and is a regular contributor to Italian and foreign newspapers, including La Stampa and Le Figaro.

Valérie Mréjen

Born in 1969 in Paris, Valérie Mréjen is a French novelist, visual artist, and director of films and videos. A graduate of the École nationale supérieure d’arts of Cergy-Pontoise in 1994, she began by publishing artist’s books before entering the field of audiovisual production. She has made a number of short films and documentaries, including Pork and Milk (2004) and Valvert (2008), as well as the feature-length drama En ville (distributed internationally as Iris in Bloom) with Bertrand Schefer in 2011, which was shortlisted the same year for the Quinzaine des réalisateurs at Cannes. She published Mon grand-père (1999), L’agrume (2001), and Eau sauvage (2004) at Éditions Allia, and Forêt noire (2012), Troisième personne (2017) and La jeune artiste (2023) at Éditions P.O.L. Her artwork has been shown in France and abroad, notably at the Jeu de Paume, which devoted a solo show to her in 2008.

Gonçalo M. Tavares

Gonçalo M. Tavares was born in Luanda, Angola, in 1970. A prize-winning Portuguese writer and professor of epistemology at the University of Lisbon, he is seen today as one of the main literary voices in that language and has published in a variety of genres, from novels and poetry, to plays and essays. His works have been translated into over fifty languages and have won a number of national and international awards, including the José Saramago Prize for Jerusalem in 2005, and France’s prestigious Prix du Meilleur Livre Étranger for Learning to Pray in the Age of Technology in 2010. In 2019 was published in English Reading Is Walking.

Sjón

Sjón (Sigurjón Birgir Sigurðsson) was born in Reykjavik, Iceland, in 1962. He is a celebrated Icelandic novelist, poet, lyricist and screenwriter. His novels include The Blue Fox (2005 Nordic Council’s Literature Prize), From the Mouth of the Whale, The Whispering Muse, the trilogy CoDex 1962 and Red Milk (2019), and have been translated into thirty-five languages. His long-time collaboration with the singer Björk led to an Oscar nomination for Best Original Song, “I’ve Seen It All” from Lars von Trier’s Dancer in the Dark. The most recent film he co-wrote is Robert Eggers’ feature The Northman (2022), inspired by the Icelandic sagas. He is the president of the Icelandic PEN Center.